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Smithsonian Collects COVID-19 Artifacts in Pandemic’s Second Year

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The Smithsonian’s National Museum of American History continues to document how communities and individuals across the U.S. have coped with the health and safety challenges of a global pandemic, protested hate crimes, raised funds for charity, and reimagined work, culture, and education. As the nation enters the third year of the COVID-19 pandemic and with a death toll nearing 1 million, the museum has added numerous artifacts to its collections, responded to more than 500 donation offers, and is conducting several oral history projects, including one focused on the Latina/o COVID-19 experience in New York City and another on educational equity and digital access in Washington, D.C.

The COVID-19 collections document scientific and medical events along with responses by business, cultural and political communities, and they span the museum’s curatorial units. Curators continue to consider artifacts offered through inquiry@si.edu.

Tennis champion Naomi Osaka’s Black Lives Matter masks (co-collected with Cooper Hewitt, Smithsonian Design Museum) are among the myriad examples of personal protective equipment (PPE) that track the evolution of—and resistance to—mask use, starting with the pandemic’s frantic beginnings when N95 mask shortages resulted in “no-sew” and homemade masks. Other collected masks include one from the Navajo Nation, one worn by a 2020 poll worker in New York City, one worn to a wedding, another made for the hearing-impaired, several bearing company logos, and one fashioned from a 2020 New Orleans Mardi Gras Krewe of Endymion baseball cap.



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